Virginie Mossé

Werke

"VELDT"-Klang und Licht Installation

installation "Veldt", created for the exhibition "xyz - about understanding", Atelierhof Kreuzberg 2011. This work is composed of a series of prints on paper attached to the walls "Stteam of consciousness", accompanied by a sound loop installation called "Changling" which can be heard throughout the video. The light reacts to the sounds of the surroundings. Video der Installation mit dem SOUND impression http://www.youtube.com/watch?v=_uOIohr8ths

Pour un diagnostique du présent

Fabelbild 7/7 - 2014-2016. 112x112x5 cm. Siebdruck auf Passepartout und auf Digitaldruck.

2 temps 3 mouvements

200x150x2 cm Silkscreen on canvas. (produced by Caza D’Oro résidence d’artiste). Exhibition view, solo exhibition “Experimentum Mundi”, CCMM du Mas D’Azil, France. 2015.www.cazadoro.org "Verum index sui et falsi" in Spinoza Ethik.

"Walking blind after play it by trust"

Dyptique / Embodyment III. 80x119x6,5 cm

LForm (playing Detail)

-L-Form, Pressplatten, lack, Metallgelenke und Digitaldruck auf papier (Screenshot aus „2001 a space Odyssee“) 57x113 cm und 57x64,5 cm Detail Playing accord...

ALLEGORY

The installation consists of two works : ? untitled, 2012-14 Light box 43x50x8 cm. 4 Neons, print on folio on plexiglas, cables, Alufolio, MDF, wooden framework (found in the street). Uebergang, (passage-transition), 2014 Monumental curtain- curtain sculpture: 300x 454,5 cm. Silkscreen on cotton. Silkscreen Esmode, Berlin

detail “ALTER_EGO “

\"...on the smoking ruins of history, the domestication of the gods\" Silkscreen on plexi, antique wooden ornements. 80x104cm

Totem UR (HL-VR)

from the Totem-series: 1.Totem UR(HL-VR), 2017. found tires, tree trunk, 68x54x100 cm

Wir sitzen in einem Boot (Flying Dutchman)

150mx150mx2 cm Silkscreen on different fabrics sewn together.

In all glory of the 3 orders (The symbolic union of subjectivity)

Light Box, 150x150x8 cm

Melancholia, (red and Blue)

2013-15. Lithographie on Zerkal. Motiv : 12x12cm, Papier 54x76 cm. 2015. Red and blue versions. Melancholia ist eine zeitgenössische Allegorie an das Postmoderne Lebensgefühl. Die Rolltreppe-Figur ist ein Motiv des Philosophen Peter Sloterdijk. Melancholia is a contemporary allegory of the postmodern life. The escalator figure is a motif used by the philosopher Peter Sloterdijk in “Eurotaoismus. Zur Kritik der politischen Kinetik” von 1989“. “Das Konzept von Wahrheit als Verhältnis ist in Spiel”, 2014. .Siebdruck auf Plakatkarton alt weiß, -10/10 + 4 EA. 50x70cm.

Selbstbildnis eines Querdenkers series 8/8

25x35x6 cm.Mirror pieces, 8 different geometrical variants… Color palette, cadillac eldorado. View with : - from the Totem-series: 1.Totem UR(HL-VR), 2017. - …(das Schicksal des Teiresias), …some comfort gained from the acceptance of the inherent lie in everything, 2017. Silkscreen on canvas, 270x195x2,5 cm

don’t. (the hallucinated life of an eternity), 2015

Fine art print. 24x30 cm

Single-Negative-passage, 2015

13 m lang tunnel with sound of Fledermaus ultrasound. Exhibition view, solo exhibition “Experimentum Mundi”, CCMM du Mas D’Azil, France. 2015. Video of the work : https://youtu.be/qxD_wOAs1OI Prduced by Caza Doro résidence d'artistes

Time as Desert

http://www.mayeurprojects.com/

Selbstbildnis eines Querdenkers 8/8 (Querdenker series

Selbstbildnis eines Querdenkers 8/8 (Querdenker series), 2017+2018. 25x35x6 cm. Mirror pieces, 8 different geometrical variants… Color palette, cadillac eldorado

Experimentum Mundi

Solo end-residency exhibition at centre d art contemporain Caza Doro (09), France.

“Once upon a time ou l'emergeance de l'homme véritable”, (à Jean Clotte), 2015

Hologrammes 2 D. 18x24 cm plus frame. Produced by Caza D'Oro résidence d’artistes. http://www.cazadoro.org/ Exhibition view, solo exhibition “Experimentum Mundi”, CCMM du Mas D’Azil, France. 2015. From left : 1) 1 + 1 égal 1. Dychotomies (nature-culture, corps-esprit…). L’arbre et la pirogue. 2) time as a desert (abstraction sur l'objet- l'objet de mes préoccupations). Chaise Floris G.Belzig 1967- Propulseur Magdalenien aux 3 tetes de chevaux, env. moins 15 000. 3) Logos. Le chaman- Abstr. de ellsworth Kelly. 4).Manowar (abstration comme ideologie- vision du pouvoir. Les réfugiés). Tour Tatline- Migrants. 5) Ford… you’re turning into a penguin. Stop it. Porcelaine de sèvre XVIIIe.s https://www.youtube.com/watch?v=FZYvUxINvt0 Prduced by Caza Doro résidence d'artistes

Hotel Europa

Pork heart, fruits and vegetables, vermin, wastepaper basket, porcelain plate

Querdenker 7

Selbstbildnis eines Querdenkers 8/8 (Querdenker series), 2017. 25x35x6 cm. Mirror pieces, 8 different geometrical variants… Color palette, cadillac eldorado

don’t. (the hallucinated life of an eternity), 2015.

Detail. Fine art print. 24x30 cm

The Perfect Crime, 2015.

Photography printed on canvas, and stickers. 244X182cm. Photo Michel Buc. Model: the artist, Virginie Mossé and golden eagle. http://www.cazadoro.org/ Exhibition view: solo show at MMCC Mas D'Azil, France. Prduced by Caza Doro résidence d'artistes

Le point ou- Breaking Point. (Mimesis-Politique-Métaphysique)

Lithografie on alt-Nüremberg- passepartouts- silkscreen on plexi. 36,5x48,5x3 cm-

Status Quo (nothing is silence not even the dead 2 to A.K.)

The ultimate contradictions of the modernity. 3-parts work: Melancholia, (red) 2013-15.Lithographie on Zerkal/ Surface crisis (roman labyrinth, Algier -324), 2017. Silkscreen on natural linen/ Nothing is silence not even the dead, composition, 2018.

"Floating cities“, 2012

This installation consists of a sculpture or rather a group of 5 spheres and a sound piece called „Abgrund“. This work has been carried out especially for this exhibition. the spheres: 5 acrylic glass spheres, Ø 300 and Ø 170 mm, gloss paint, tin foil, 5 switches, cables, 10 white and green LEDs, 10 batteries, 5 CDs, duct tape, wiring, hooks. the cities are printed on see-through plastic foil, using extra dense paint fog and sound: fog machine, loudspeakers, cell phone and lots of luster terminals. Sound impression https://soundcloud.com/virginie-4

2 temps 3 mouvements, 2015

200x150x2 cm Silkscreen on canvas. The canvas surface is the original place to question the systems of representation. This work is at first glance a traditional optical all-over surface (like www). However, the incursion below of the quote of SPINOZA from the Ethic, “Verum index sui et falsi” is redirecting towards the notions of truth and artifice in the history of representation, questioning as the same the flat American surface. - Temps 1 : the painting ground, the grid. - Temps 2 : the form, the text : Verum index sui et falsi : die Wahreit als Prüfstein gegen sich selbst und gegen die Unwahrheit (in: Spinoza, Ethik) : truth is a touchstone both of the truth itself and of falsehood. The text is used to make an incision in the flat modern surface. - Mouvement 1 : the time of the representation, on the traditional space envisaged for this purpose, the painter canvas. The illusional surface. ( Ref. "le chef d'oeuvre inconnu" of maitre Frenhofer by Balzac). - Mouvement 2 : but in this place, a grid composed of real lines, representing or presenting really what they are. (concrete absraction). - Mouvement 3 : the optical effect. The third movement rejects the viewer outside the work (chamanical transe), towards the concept, in this case the exhibition context in which this work is presented....

The Perfect Crime,

Embodyment series: (Embodyment II) Photography printed on canvas, and stickers. 244X182cm.

Experimentum Mundi (end-residency solo exhibition)

View with "Perfect crime" / "The day Picture was born"/ "Claivoyant Memories (re-applying Babylon)", 2015

Das ewig Unbegreifliche an der Welt ist Ihre Begreiflichkeit, 2012

das berühmte Aporismus von Albert Einstein über die Paradoxie der Menschlichen Wahrnehmung und Ihre Interpretation wird überlagert von einem dicht gesetzten Lochraster. Nur aus Distanz ist es dem Auge möglich das Wort "Begreiflichkeit" zu lesen... Alexander Stumm

La vérité enfin, 2015

150x200x2 cm Silkscreen on canvas (produced by Caza D’Oro résidence d’artiste). Exhibition view, solo exhibition “Experimentum Mundi”, CCMM du Mas D’Azil, France. 2015.

The beauty of the night is something our time is hungry for"

2 pieces work composed of : 1-an optic canvas 300x150 + 195x195 : 500x195x2,5 cm. Text on the canvas : „in the dark attics of your mind all times mingle“. 2-and a sculpture: Walking blind after play it by trust, 2017. 417x70x 100 cm. Construction support steal, and 2 fine art-prints on reboard 16mm (2 prints 113,5x75 cm

Claivoyant Memories (Babylon réappliqué)

150x150x2 cm. Silkscreen on canvas

das ewig unbegreifliche an der Welt ist Ihre Begreiflichkeit

Siebduck auf Papier 70x100cm

Claivoyant Memories (Babylone réappliqué), 2015

150x150x2 cm Silkscreen on canvas. (produced by Caza D’Oro résidence d’artiste). Exhibition view, solo exhibition “Experimentum Mundi”, CCMM du Mas D’Azil, France. 2015.

The beauty of the night is something our time is hungry for“

Embodyment III : or the old Faust-myth becoming true. An archetypal motif) a 2 pieces work composed of : 1-optic canvas 300x195 + 195x195 : 500x195x2,5 cm. Text on the canvas : „in the dark attics of your mind all times mingle“. 2- sculpture: Walking blind after play it by trust (embodyment 3), 2017. 417x70x 100 cm. Construction support steal, and 2 fine art-prints on reboard 16mm (2 prints 131,5x 87cm). The chess game : called „game of the Century“, NYC 1956, „the game that shook the world“, echoes to the purpose of the piece adding a level of reality

Detail 2 temps 3 mouvements.

The canvas surface is the original place to question the systems of representation. This work is at first glance a traditional optical all-over surface (like www). However, the incursion below of the quote of SPINOZA from the Ethic, “Verum index sui et falsi” is redirecting towards the notions of truth and artifice in the history of representation, questioning as the same the flat American surface.

?untitled

Leuchtkasten

Diptyque De Natura Rerum- De Natura Deorum... Et la nature devient paysage.

Diptyque part 1. -De Natura Deorum (de la nature des Dieux): Der Mitmacher (à la Gloire de Dieu), Photomontage, 40X50 cm. Caza D'Oro 2015. (Photo du paysage (Iphone photo, detail d’importance pour la lecture de l’oeuvre) Puerto de Barrosa Pyrénées espagnol Le 03/11/2013). Prduced by Caza Doro résidence d'artistes

Surface Crisis, (Nothing is silence not even the dead 1),

4-parts work. http://studiovirginiemosse.tumblr.com/

Selbstbildnis eines Querdenkers 8/8 (Querdenker series)

25x35x6 cm. Wood and mirror pieces, 8 different geometrical variations. Color palette, Cadillac Eldorado (before 1973) detail colors : Querdenker 1/8 : Daphne blue / Querdenker 2/8 : Elvis / Querdenker 3/8 : Acadian green / Querdenker 4/8 : Goldmetallic / Querdenker 5/8 : Dakota Red / Querdenker 6/8 : Mandarin Orange / Querdenker 7/8 : Calcuta cream / Querdenker 8/8 : Argyle blue.

ATLAS

Atlas (after Lawrence Weiner) Ein Spruch von Brecht mit einem Knoten Symbole als Boden Malerei im ehmaligen Deutschland wichtigsten off-Theather, Hermannstr. 229.

The day picture was born, 2014, 15.

Smoking barrel on miroir, remains of wood, oak leaves, straw, old boxes of canned, used plastic, old rope, rusty gate. Prduced by Caza Doro résidence d'artistes

Surface Crisis, (Nothing is silence not even the dead 1)

468 x 250 x 4 cm. 4 parts-work4, from left : -oval green frame, 22x16x3 cm fine art print, wood, lacquer: “nothing is silence not even the deads”, 2017 -two canvases 195x195x2 cm, silkscreen on linen : www (Struktur der Wirklichkeit- wohin/woher/warum), 2014 // Surface Crisis 2- El Asnam (roman labyrinth mosaic in Algier), -324, 2017. - two hollograms cards in open frames. 25X35x4 cm …. lenticular prints- Wackelbilder. : Hologramm left: beyond the reign of modernism. (Chaman +Malevitch), 2017 // Hologramm right: les chercheurs d‘ absolu or the well known story of… (egg and chicken), 2017

Beaking point (Mimesis-Politic-Métaphysic),

36,5x48,5x3 cm.Lithografie on alt-Nüremberg- passepartouts- silkscreen on plexi. Numerus clausus. An anthropology of visual art, questioning of modernist fundamental forms today. Forms are no longer needed to be autonomous... http://studiovirginiemosse.tumblr.com/page/2

Lost Garden

The day picture was born, 2014, 15.

Smoking barrel on miroir, remains of wood, oak leaves, straw, old boxes of canned, used plastic, old... Video of the work https://www.youtube.com/watch?v=K6fu4KD7QMk Prduced by Caza Doro résidence d'artistes

Surface Crisis 2, (Nothing is silence not even the dead,), -324, 2017. 468 x 250 x 4 cm.

oval green frame, 22x16x3 cm fine art print, wood, lacquer: "nothing is silence not even the dead"..... detail (found frame- Motive found and taken at Kotti -Berlin April 17)

WHITE-SERIES

Supported by the Arsversa Foundation Freiburg www.arsversa.de 12/45 Lithographien, auf rives-arches Büttenpapier im Holzrahmen, 35x51x4cm. Exhibition view : Meinblau Berlin. http://nullplus255.com

WWW (Wirklichkeit Stuktur)

195x195x2cm Silkscreen on linen on frame.

The day picture was born, 2014, 15

Smoking barrel on miroir, remains of wood, oak leaves, straw, old boxes of canned, used plastic, old rope, rusty gate. video of the work https://www.youtube.com/watch?v=K6fu4KD7QMk View of the piece in the exhibition, with in the background the entrence of tunnel Single-Negative-Passage, 2015 in end-residency exhibition, Experimentum Mundi at Caza D’Oro art center, Centre culturel multimedia du Mas D’Azil, France.

Abwarten

Fine art print, passepartouts, 2x (141x101x4 cm A pigs heart, rotten fruits and vegetables, vermin, waste paper basket, porcelain dish. Performed and photographed 2016.

WHITE SERIES

12/25 Lithographien,Detail 9/25 a quantic-wave “the improbability drive” double-slit experiment (Physic)

...Remember ?"

Fabelbild 1/7 , 2014 -30x30 cm. Fine art Print- Passepartout printed in silkscren. 10-10 Exemplare. Image : Photo of a sculpture of Daniel Burel in Luxembourg ville, 2013. I founded it in the telefon of a friend, I took the photo, inverted it and turned it into a mise en abyme. Exhibition view, group show MCCV expension matérielle, Atelierhof Kreuzberg Berlin. 2014. http://mccvexpansion-materielle.tumblr.com/

Les doutes du siècle- Die Zweifeln des jahrhunderts, 2014-15.

Les doutes du siècle- Die Zweifeln des jahrhunderts, 2014-15.

Status Quo (nothing is silence not even the dead 2- to A.K.)

detail

Partial Memories 1 (le grand dehors)

the great outside, a singing stone. when one move closer to the stone, an old Latin song is played from within, as if a choir sings in the stone. Video of the work youtube.com/watch?v=TL4RqMaSInc Cobbelstone (granit) 9x10x10 cm containing the small loudspeaker 65mm / podest- pillar : 10x11x120 cm, containing the sound system : universal Amplifier 12 W / electro cables / RCA plugs / Jack plugs / power adapter / Adapter stereo mono / Mp3 player / multiplug / extension cabel) // Presence-motion-detector

Sandwüste

200x138x2 cm Siebdruck auf 2 verschiedenen Stoffe zusammen genäht- Keilrahmen

“Once upon a time ou l'emergeance de l'homme véritable”, (à Jean Clotte)

Hologrammes 2 D. 18x24 cm plus frame. Produced by Caza D'Oro résidence d’artistes. http://www.cazadoro.org/ Exhibition view, solo exhibition “Experimentum Mundi”, CCMM du Mas D’Azil, France. 2015. From left : 1) 1 + 1 égal 1. Dychotomies (nature-culture, corps-esprit…). L’arbre et la pirogue. 2) time as a desert (abstraction sur l'objet- l'objet de mes préoccupations). Chaise Floris G.Belzig 1967- Propulseur Magdalenien aux 3 tetes de chevaux, env. moins 15 000. 3) Logos. Le chaman- Abstr. de ellsworth Kelly. 4).Manowar (abstration comme ideologie- vision du pouvoir. Les réfugiés). Tour Tatline- Migrants. 5) Ford… you’re turning into a penguin. Stop it. Porcelaine de sèvre XVIIIe.s Video of the work : https://www.youtube.com/watch?v=FZYvUxINvt0

Nothing is silence, not even the dead 1 (exploring the after of the after-post)

Detail : beyond the reign of modernism. (Chaman + Malevitch), 2017 lenticular print).

Selbstauskunft- Self-disclosure, auto-révélation

3 Farbiger Siebdruck, 7 Passepartouts, Rahmen. Es handelt sich um eine Darstellung von dem was Wahrnehmung sein könnte, inszeniert mit den drei Grundkonzpten von Jacques Lacans Geist Analyse, überlagert mit den drei Grundkonzepten der bildenden Kunst, red, yellow and blue.

Selbstbildnis eines Querdenkers 1/8 : Daphne blue and (das Schicksal des Teiresias), …some comfort gained from the acceptance of the inherent lie in everything

25x35x6 cm. Wood and mirror pieces, 8 different geometrical variations. Color palette, Cadillac Eldorado (before 1973). A contemporary vision of paradoxes at work // / or the shaking of the modern myth… // In a line of 4,20 m, the abstract forms cut in mirrors, geometric-abstraction based, blow the modern hermetic.

…(das Schicksal des Teiresias), …some comfort gained from the acceptance of the inherent lie in everything.

Silkscreen 270x195cm

Eckdaten

studiovirginiemosse.tumblr.com/

Installation, Klangkunst, Konzeptkunst, Malerei, Skulptur

Vacuum energy and cosmological content, such as: unbearable lightness of space-time.

Der Fokus meiner Arbeit liegt auf interdisziplinären, konzeptuellen und raumbasierten Ansätzen in einer Vielzahl von Materialien und Medien wie Malerei (Druck auf Leinwand), Druckgrafik (Lithographie), Skulptur, Ton-Licht, Fotografie.

Die Infragestellung des Begriffs der Moderne als historische und anthropologische Abgrenzung ist der Schwerpunkt meiner Recherche.

http://studiovirginiemosse.tumblr.com/" target="_blank">http://studiovirginiemosse.tumblr.com/">http://studiovirginiemosse.tumblr.com/

Vita

born in France

1998-2001 Ecole supérieure des Beaux Arts de Cornouaille
Quimper. (FR). Diplom. (DNAP-DNSEP)

2002-2004 Akademie der Bildenden Künste Karlsruhe (D) bei Pr. Kaminski

lebt und arbeitet in Berlin

www.studiovirginiemosse.tumblr.com

Einzelausstellungen

2020 Struktur und Chaos ( für eine trans-historische Geschichte der Moderne), Berlin-Weekly, Berlin.

2018 „Slow art month“. Virginie Mossé with Albrecht Dürer. Mayeur Projects gallery, Las Vegas New-Mexico (USA).
2016 Time as a desert, Mayeur Projects gallery, Las Vegas New Mexico (USA).
2015 Experimentum Mundi , Centre-Culturel-Multi-Média du Mas d’Azil, France. End-Residency exhibition at Caza D'Oro centre international d'art contemporain.
2014 Al.le.go.ry, (The symbol's errant allegory, a story of definitions in visible form), Berlin-Weekly, Berlin.
2013 Who's afraid of colour! mit Wonkun Jun. Hamburg Art Week , Galerie Kramer Fine Art, Hamburg,
2012 Die Dinge des Lebens, Gängeviertel Hamburg with Katrin Kampmann and Oliver Ross. Ku: A. Stumm
2011 Relax, Kreuzberg Pavillon, Berlin with Phanos Kyriacou and Christian Holtmann
2010 Erforschung des Grundgebirges und des Gipfels, Künstlerhaus Sootbörn Hamburg
Trying for runs, racking up points, Kunstverein Linda, Hamburg
2008 it’s all about feedom, Skam Ausstellungsraum Hamburg
2006 Komm rein, Dia-Projektion, Naturkundemuseum Karlsruhe.

Gruppenausstellungen

2019 Outmoded ( up to date,
futuristic, atemporal, nonexistent, or
permanently), Nachtspeicher23, Hamburg

no pattern save what we imagine, Galerie Nosbaum Reding, Luxembourg.
0+255, Meinblau, Berlin
2018 All'idea di quel metallo", VDB Berlin. Cu. Peter Ungeheuer.
S w Ausstellung, Berlin Weekly, Berlin. Cu. A. Van Reimersdahl
Where is Philadelphia? Group show organized by Maik Schierloh. Storkow (D).
2017 Teasures, group show, Mayeur Projects gallery, Las Vegas New-Mexico (USA).
2017 Werke der Sammlung Haupt, Mannheimer Kunstverein.
2015 Sammeln wie gedruckt, Werke der Sammlung Hartmann, Galeire Albstatd. Städtiche Kunstsammlungen.
2014 The venue of P II, Galerie Heinz-Kramer Hamburg.
MCCV, Expansion materielle, Atelierhof Kreuzberg, Berlin
Beyong beyong the brillo box 50 Jahre Ende der Kunst", Galerie Royal, München (cataloge)
Money Works Part 2, Haus am Lützowplatz, Berlin. cu. Tina Sauerländer.
2013 Alptraum meets pop hits, Halle für zeitgenössische Kunst, Offenbach
Kunst Visite, Charité, Berlin
Natur-Mensch, ANDREAS – KUNSTPREIS 2013 Nationalpark Harz
The lost garden, Projekt für Berlin Neukölln. cu. Alessadro Vitali
2012 Regarding structure, De Zwarte Ruyter Rotterdam (NL).
Lost in a dream, Snake pit Gallery Auckland (NZ). cu. Rob Garret (catalog)
Wasser, galerie White trash contemporary Hamburg
Agora II , Vikoria Kaserne, Hamburg.
Sonnenaufgang, Remise Ausstellungsraum, Berlin
2011 xyz, about understanding , Atelierhof Kreuzberg, Berlin
2010 Wir laden ein, (Krisen und Utopien), neuer Kunstverein Wuppertal
2009 Moving the goalposts, Galerie Diane Kruse, Hamburg
2008 Regionale 9, Kunsthalle Basel
Gegenstandlos, Gesellschaft für Kunst und Gestaltung, Bonn
2005-06 Jahresausstellung, Badischer Kunstverein, Karlsruhe
2003 Mulhouse 003, Kunstmesse Mulhouse
2002 eine Lichtung zwischen Brocéliande und Schwarzwald, Polygalerie Karlsruhe.

Stipendien

2021 Neustart Stipendium, Stiftung Kulturwerk VG Bild-Kunst Berlin

2019 Kunstförderung, ArsVersa Stiftung, Freibug (D).
2015 drei Monaten Residenz in Caza D'Oro, centre international d'art contemporain, France
2014 Materialzuschuss Käthe-Dorsch-Stiftung Berlin
2011 drei Monaten Residenz im Künstlerhaus Vorwerkstift Hamburg
2006-07 Atelierstipendium Ministerium Kunst u. Wissenschaft Baden-Württemberg.

Veröffentlichungen

2016 Art viewer : Virginie Mossé at Mayeur project
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2013 die Arbeit „Outside“, 2012 cover von „La Revue des Cèdres“ n° 39. Januar 2013 Lausanne.
2012 „Outside“, 2012 cover April 2012 Astronomie Zeitschrift Ciel et espace „le magazine de l´astronomie“, Paris. Rubrique regard von David Fossé.
2012 „Outside“, CD-cover for Christian Ogrinzs album lose control , Berlin 2012.

Oeffentliche Sammlungen

Sammlung Haupt, Berlin
Sammlung Andrea Von Goetz Hamburg
Sammlung Gerhard Hartmann, Landau (BW)
Collection d'entreprise Christian Mayeur, France
und zahlreiche Arbeiten befinden sich in privatsammlungen in Deutschland und in Frankreich.